⭐️ ⭐️ ⭐️ ⭐️ A clever twist on the classic whodunnit
Note: This review is for the Catch Me If You Can UK Tour 2022. It’s useful to note that this play is not associated with the 2002 Steven Spielberg film of the same name.
Originally based on a French play by Robert Thomas, this American version was written by Jack Weinstock and Willie Gilbert that debuted on Broadway in 1965. The UK tour is produced by the renowned Bill Kenwright.
Inspector Levine (Gray O’Brien) is called to a house in the remote Catskill mountains to investigate the disappearance of newly married Elizabeth Corban. In a bizarre development a woman (Linda Purl) arrives at the house claiming to be the missing Elizabeth but, instead of celebrating the reunion, her husband Daniel (Dallas legend Patrick Duffy) claims that she is an imposter.
Catch Me If You Can, a gripping psychological thriller by Jack Weinstock and Willie Gilbert in on stage at The Alexandra Theatre in Birmingham this week. Starring Dallas legend Patrick Duffy, Linda Purl (Happy Days, Homeland, The Office) and Gray O’Brien (Peak Practice, Coronation Street), the play tells the story of Inspector Levine, who is called to a house in the remote Catskill mountains to investigate the disappearance of newly married Elizabeth Corban. In a bizarre development a woman arrives at the house claiming to be the missing Elizabeth but, instead of celebrating the reunion, her husband accuses her of being an imposter…
I had the honour of speaking to actress Linda Purl recently ahead of her upcoming Birmingham shows to find out more about the play, life on the road and her incredible career on both stage and screen.
Based on the 1984 hit film starring Kevin Bacon (which was itself loosely based on true events in the town of Elmore City, Oklahoma), we follow the story of Ren McCormick (Joshua Hawkins) and his mother, who move from Chicago to Bomont, a rural backwater town following the abandonment of his father. There, he discovers that rock ’n’ roll music and dancing is banned following the deaths of four young people in a car accident, with a traditional, conservative and strictly religious community spearheaded by the Reverend Shaw Moore (Darren Day). Taking matters into his own hands, Ren befriends the loveable (although rather dim-witted) Willard Hewitt (Jake Quickenden), falls in love with Rev. Moore’s rebellious daughter, Ariel (Lucy Munden), and campaigns for a dance to be allowed for the seniors of the school.
Diversity took the nation by storm when they won the third series of Britain’s Got Talent in 2009 and have so far sold out nine UK and Irish tours, sold over 600,000 tickets, with countless television and live performances.
To take them into the new decade of Diversity, Ashley Banjo has created a new show, Connected, which centres around the world of social media, the internet, and the digital era we now live in, but more importantly how this connects us all.
Yesterday was a little strange. Not that it was bad in any way, but it took me a while to settle in.
I’m currently dog-sitting at my friend’s house. It isn’t the first time I have done this, so I was already familiar with the area and the dog’s routine and we immediately got back into it. Admittedly, I was feeling a bit tired as her barking had woken me up at 1am when the neighbours returned home, and then again at 2am when she vomited on the floor. (While I miss having the cats, I don’t miss waking up to the sound of retching in the early hours of the morning). We walked, had breakfast, I did some work while she snoozed, we walked again etc. It was a fairly relaxed and peaceful day with glorious weather…
I suddenly realised yesterday evening just how quiet it was.
Yesterday was my nine year blogging anniversary. I received a notification at 6.30am as I was sitting in a very cold train station.
The reason why I was travelling yesterday is because of a friend who I met through the blog 2015. In fact, she was one of the first blog friends who became a social media client. Since then we’ve been to events, a writers retreat and on holiday to Dubrovnik together, and yesterday I travelled down to her house to look after her dog while she and her family are on holiday.
I love London. I’m lucky in that I live 90 minutes away on the train and, when booked in advance, tickets are pretty cheap. The Bloke and I used to visit three or four times a year before the pandemic, usually staying overnight. We would take a section of London that we had never visited before and I would map out ideas of things to see and do.
Now that there aren’t any more restrictions, I have very tentatively started to visit again. Our last trip was last September for my not-quite 40th birthday, and I went on a shorter trip with my mum a little while ago.
I have noticed a huge difference in the last decade of how Instagram has become an integral part of the marketing strategy for many cafes and restaurants. Flower walls, neon signs, even highlighted sections on menus advertising ‘Instagram-worthy’ dishes and drinks have appeared.
⭐️ ⭐️ ⭐️ ⭐️ A feel-good show full of fun and nostalgia
Note: This review is for the UK 2022 tour.
Featuring rock ’n’ roll songs from the million-selling Dreamboats and Petticoats albums, we see the return of Bobby, Laura, Sue and the gang in the third instalment of the smash-hit musical on stage at the Alexandra Theatre this week.
With a healthy dose of nostalgia from the start, we follow the story of Norman and the Conquests as they take on a summer gig at Butlins, Bognor Regis, and the interweaving sub-plots of the band members and their friends. Bobby (David Ribi) and Laura (Elizabeth Carter) are struggling with a long-distance relationship while Laura reluctantly embarks on a summer season in Torquay, Sue (Lauren Anderson-Oakley) feels unwanted and overlooked by flirtatious husband Norman (Alastair Hill) after giving birth to their baby. Band manager Ray (David Luke) is unsure of his career as a hairdresser and convinces girlfriend, Donna (Samara Clarke) to join them at Butlins. Including songs such as C’Mon Everybody, Blue Moon, Mony Mony and Keep on Running, we are taken on a trip down memory lane as the characters navigate their way through the trials and tribulations of young love while wanting more from their music careers. There is plenty of chemistry and all are talented vocalists, each getting the opportunity to shine in both the individual and group numbers.
The acclaimed novel by C.S. Lewis has been brought to life on stage with the production of The Lion, The Witch and The Wardrobe.
Directed by Michael Fentiman and based on the original production by Sally Cookson with original Set and Costume design by Rae Smith, The Lion, The Witch and The Wardrobe tells the story of Lucy, Edmund, Susan and Peter, wartime evacuees who discover the world of Narnia inside a wardrobe.
Direct from London, the acclaimed production of The Lion, the Witch and the Wardrobe is coming to the Alexandra Theatre stage in Birmingham this week and I had to opportunity to have a quick chat with cast member Samuel Buttery, who is playing the role of Mr Beaver. When we spoke they were on a train on the way to Birmingham.
It sounds like you’ve had a really busy time!
It’s be so busy! I think this month we’ve been to Edinburgh, Plymouth, Canterbury, Glasgow and now Birmingham. It’s a lot!
What can the Birmingham audience expect from The Lion, The Witch and The Wardrobe?
I think they can expect something heartfelt. It feels like a communal endeavour without being poncy and too insincere. I’m lucky in that everyone in the cast and company is really nice and we have formed really close bonds, and the play ends up being about community and togetherness and what happens when goodness can win.