As news spreads of a murder in London, a group of seven strangers find themselves snowed in at a remote countryside guesthouse. When a police sergeant arrives, the guests discover – to their horror – that a killer is in their midst! Which one is the murderer? Who will be their next victim? Can you solve this world-famous mystery for yourself?
Agatha Christie’s The Mousetrap at the Alexandra Theatre plays for six nights as part of its 70th anniversary tour and was a fantastic way to spend Tuesday night this week, and a full house no less. Lucky for us, The Mousetrap has continued to delight audiences for much longer than the initial fourteen months that Christie herself said she would “give it,” in the fifties when it debuted.
Decades before the boy band explosion of the 90s was The Osmonds, a clean-cut, all American family of musicians who grew up on the television. From their star residency on The Andy Williams Show to the arrival of Donny and Marie, The Osmonds lived a remarkable life recording chart topping albums, selling out vast arena concerts and making record breaking TV shows – until one bad decision cost them everything.
Directed and co-written by Shaun Kerrison, written by Jay Osmond, the story of The Osmonds is told through the eyes of Jay in a series of flashbacks from their beginnings as a group under the watchful eye of their military father, the success of Merrill (Ryan Anderson), Alan (Jamie Chatterton), Jay (Alex Lodge), Wayne (Danny Natrass) and Donny (Tristan Whincup) as a band, sister Marie (Georgia Lennon) and little brother Jimmy (Samuel Routley), their meteoric rise to fame and subsequent fall, and the trials and heartbreak that accompany being a member of one of the biggest musical names of all time.
Directed by Daniel Evans, with Music and Lyrics by Rodgers & Hammerstein and Book by Oscar Hammerstein II and Joshua Logan, South Pacific is based on James A. Michener’s Pulitzer Prize-Winning 1947 book Tales of the South Pacific and was an immediate hit following its Broadway premiere in 1949. With a now iconic score including I’m Gonna Wash That Man Right Outa My Hair, Bali Ha’i, There Is Nothing Like a Dame, Some Enchanted Evening and Happy Talk, receiving multiple awards, spawning many successful revivals, tours and a 1958 movie.
⭐️ ⭐️ ⭐️ ⭐️ Fun, witty and heart-warming with plenty of sole
From the pier of Port Isaac, Cornwall to the Pyramid Stage at Glastonbury, Fisherman’s Friends: The Musical is loosely based around the true story of the surprise chart-topping Cornish singing sensations and their smash-hit 2019 movie.
Directed by James Grieve with the Book by Amanda Whittington, Fisherman’s Friends tells the story of a group of fisherman in a traditional Cornish village who sing folk songs and shanties to raise money for the local lifeboat. They are spotted by passing visitor Danny (Jason Langley), a former A&R Executive from London who is immediately captivated by the music and convinces them to record a demo to send to Island Records. But is the British public ready for an album of sea shanties and traditional Cornish folk songs?
Yes, they were.
And after watching Fisherman’s Friends: The Musical, so am I.
The world has felt a little strange over the last few days.
I watched as events unfolded last Thursday live on TV. With the announcement from Buckingham Palace that The Queen was under medical supervision at Balmoral, the BBC suspended all programming around lunchtime, changed into black outfits and began preparing us without actually saying it out loud. It was when the plane carrying William, Edward, Sophie and Andrew landed in Scotland that I think we all knew, and the announcement was made at 6.30pm from the Palace that Queen Elizabeth II – our longest reigning monarch – had passed away at the age of 96, just months after celebrating her Platinum Jubilee.
Based on the 1980 iconic film which spawned a popular television series, Fame follows the final class of New York City’s celebrated High School for the Performing Arts through their struggles, fears and triumph as they navigate the worlds of music, drama and dance
Showcasing the very best in local young talent, the Alexandra’s annual Stage Experience is open to anyone aged 9-24 years old who have a passion for performance, wardrobe, stage management or behind-the-scenes technical skills. Over the last few weeks, 60 young performers and 10 technicians from all over the West Midlands have intensively rehearsed to bring their latest production to life.
Fifty years after its first exhibition, a key piece of Birmingham history has returned to the city.
The brainchild of Birmingham property developers Cordia Blackswan in collaboration with Hockley Social Club, a seven metre (22ft) statue of King Kong is on display at the the new King Kong Park on Great Hampton Row in the Jewellery Quarter.
Created by artist Nicholas Monro, King Kong was commissioned in 1972 for display in Manzoni Gardens in the Bull Ring. Following the brief to make it ‘city oriented,’ the 18ft fibreglass statue (chosen because of its association with New York City), quickly became a popular icon but was sold four months later once sponsorship funding dried up. After being displayed elsewhere in Birmingham and then at markets in Edinburgh and Penrith, it now resides in a garden overlooking the Penrith Hills.
⭐️ ⭐️ ⭐️ ⭐️ ⭐️ An evening of hilarious and unadulterated chaos. A joy to watch!
Note: This review is for the UK 2022 tour.
Based on the beloved 1970’s sitcom by Ray Allen starring Michael Crawford and directed by the award-winning Guy Unsworth, Some Mothers Do ‘Ave ‘Em tells the story of the accident-prone Frank Spencer (Joe Pasquale). His wife Betty (Sarah Earnshaw) has exciting news, but he’s preoccupied by possible newfound fame as a magician. Joined by Betty’s mother Mrs Fisher (Susie Blake), her boyfriend Mr Luscombe (Moray Treadwell), and priest Father O’Hara (James Paterson), there are plenty crossed wires, misunderstandings and mishaps as Frank and Betty attempt to host a dinner party and do an interview with the BBC.
Part of my Happiness List for July is Date Night – spending time with The Bloke for no other reason than just because. An opportunity presented itself recently to go out into Birmingham and do just that.
Those of you who have followed the blog for a long time will be aware of my obsession with the musical RENT. It has been something that has been a big part of our relationship – he has ‘No Day But Today’ engraved on the inside of his wedding ring, we walked back up the aisle to ‘I’ll Cover You’ after we got married, he even went along with it when I wanted to go and find Antony Rapp when we went to watch it in London in 2016 (read about the whole adventure here). While it’s our favourite show it’s rare that we get the chance to see it, so when an ad appeared on Facebook that there was a performance at the Blue Orange Theatre in the Jewellery Quarter that evening we booked tickets and decided to turn it into a pseudo-spontaneous date night.
Capturing the essence of the Multi Award Winning Ms Gladys Knight, Hayley Ria Christian performs the magic of Gladys Knight’s hits in Midnight Train to Georgia, appearing on stage at The Alexandra Theatre on Thursday 7th July.
I had the opportunity to have a chat with Hayley about the show, her love of Gladys Knight’s music and her own experiences throughout her amazing career.
I’m so excited about the show! Tell us more about it!
I created the show in mind of Gladys Knight’s story, with hits that you know she did, but also the hits that you’re thinking “ooh! I didn’t know she did that one!” too. She did a lot of covers, but also a lot of people have done lots of covers of hers. I want to introduce people to the original music and share the love.
Suzie Speaks 
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