Yesterday The Bloke and I went to see 9 to 5 the Musical at the Alexandra Theatre in Birmingham.
Based on the 1980 hit American comedy movie, 9 to 5 tells the story of Doralee, Violet and Judy – three workmates pushed to boiling point by their sexist and egotistical boss. Concocting a plan to kidnap and turn the tables on their despicable supervisor after he blackmails them, will the ladies manage to reform their office – or will events unravel when the CEO pays an unexpected visit? While the film was released nearly forty years ago, many of the issues highlighted are still a prominent part of social commentary, particularly on the topics of equal pay and roles and treatment of women in the workplace.
Louise Redknapp as Violet Photo by Simon Turtle
Louise Redknapp plays Violet, a smart and ambitious senior office administrator and widow who is overlooked for a promotion in favour of a man that she trained. She is absolutely perfect for the role – strong, confident and self-assured with a beautiful voice and a presence onstage that demonstrates why she has had such a long and successful career as a performer.
She is joined by Amber Davis in the role of Judy, who has been forced to find a job for the first time after her husband has left her for his secretary. Made famous by her appearance in Love Island, I was admittedly a little dubious about the casting choice, but she quickly dispelled any doubts with a truly incredible performance – sweet, funny and making her own way in a new world, Davis has an absolutely sensational voice. Continue reading →
Last night The Bloke and I were invited to watch Little Miss Sunshine at the Alexandra Theatre in Birmingham. I’d heard lots about the film, but almost nothing about the musical. I was intrigued by the plot:
The Hoover family has more than a few troubles, but young Olive has her heart set on winning the Little Miss Sunshine beauty contest. When an invitation to compete comes out of the blue, the Hoovers must pile into their rickety, yellow VW camper van. Can it survive the 800-mile trip from New Mexico to California – and more importantly, can they? This inventive and uplifting musical celebrates the quirks of every family, the potholes in every road, and the power of overcoming our differences.Continue reading →
From up-and-coming Midlands writer and director Thomas Moran and his company presentabsence Theatre comes “a new LGBTQ+ and deaf play.” NOISE follows the lives of five first-year university students in their shared flat, in particular Evan (Nicolas Ancelin) who is deaf. The play sees the development of Evan’s relationship with flatmate Harry (Dominic Holmes) and how they both deal with his impairment.
Despite their young ages and small number, the cast light up the stage of The Old REP, bringing energy and authenticity to their characters. The group work well as an ensemble, being totally believable as housemates and friends, but this is perhaps better shown through the several examples of physical theatre and montages in which all of the cast have co-ordinated their movements to fit with one another, avoiding any slip-ups (not an easy task on The Old REP’s small stage) whilst still managing to create dynamic sequences. Continue reading →
I’ve been a huge fan of the music from RENT since my teens, yet have never seen the musical live, so I was ecstatic to receive an invitation for the opening night of RENT at The Old Rep Theatre in Birmingham.
Directed and choreographed by Michael Neri, with a stellar cast of up-and-coming local talented performers, RENT tells the story of a group of young adults who are struggling to survive in New York’s East Village, dealing with issues of AIDS, drug addiction, homosexuality and homophobia.
The set is cleverly simple, with effective ideas used for projections and lighting to suit the small stage in the theatre, and we were given a lovely welcome by the staff when we arrived.
The cast were incredible, with each giving wonderful individual performances in their own right. In particular, Jessica Singer (Mimi) and Joe Ashman (Mark) commanded the stage throughout and Rhys Owen’s performance of I’ll Cover You (Reprise) in the second half was so inspiring that the audience were compelled to give a standing ovation before the song had even finished. Seasons of Love, the opening of Act 2 (and the song I’d been most looking forward to) also didn’t disappoint, with the harmonies on point and a brilliant top note from Alys Wood. Continue reading →
I travelled up north to spend some time with my family – both my mother and I have birthdays in a few weeks so we had a joint celebration without our boyfriends and husband in tow.
As is the case whenever I go up to Manchester, it was cold, dark and rained solidly for the entirety of my visit, but that didn’t stop us from getting dressed up. Unfortunately, gridlocked traffic and the return of the Frankfurt market meant that we were extremely late getting to the restaurant, making my sister look like she had been stood up on a date, bless her, but we soon settled into the usual banter that often takes up the majority of our conversations. Continue reading →