⭐️ ⭐️ ⭐️ ⭐️ ⭐️ An evening of hilarious and unadulterated chaos. A joy to watch!
Note: This review is for the UK 2022 tour.
Based on the beloved 1970’s sitcom by Ray Allen starring Michael Crawford and directed by the award-winning Guy Unsworth, Some Mothers Do ‘Ave ‘Em tells the story of the accident-prone Frank Spencer (Joe Pasquale). His wife Betty (Sarah Earnshaw) has exciting news, but he’s preoccupied by possible newfound fame as a magician. Joined by Betty’s mother Mrs Fisher (Susie Blake), her boyfriend Mr Luscombe (Moray Treadwell), and priest Father O’Hara (James Paterson), there are plenty crossed wires, misunderstandings and mishaps as Frank and Betty attempt to host a dinner party and do an interview with the BBC.
BMOS Musical Theatre Company returns to The Alexandra stage to bring to life Guys and Dolls, a fantastic and funny musical story of gambling, luck and love under the bright lights of Broadway. I had the opportunity to speak to BMOS member Patrick Pryce who is playing Nathan Detroit.
Tell us more about the show!
Guys and Dolls is the classic 1950’s musical, made famous by the film starring Marlon Brando and Frank Sinatra. It’s all about a gangster called Nathan Detroit who is trying to run an illegal crap game for some dodgy characters in New York, and he’s got to find a venue but he needs $1,000 but he’s broke. He’s constantly being chased by his fiancé of 14 years, Adelaide, to get married. He comes up with a scheme to bet a high rolling gambler – Sky Masterson – $1,000 to raise this money that he needs. He bet’s Sky that he can’t take a girl from the Salvation Army, Sergeant Sarah Brown, to Havana in Cuba. The hard-nosed, high-flying Masterson does take her to Havana by tricking her in saying that he will bring some sinners to her prayer meeting, but he falls in love.
The thing with Guys and Dolls is that the show is hilarious – it’s zany, funny, it’s got all the magic numbers like Sit Down You’re Rocking the Boat, Luck Be a Lady, If I Were a Bell, it’s amazing.
Hailed “a gut-busting hit” by the New York Times, The Play That Goes Wrong is now in its seventh year in the West End and is currently on tour around the UK. Starring as Trevor, I had the honour of chatting with actor Gabriel Paul last week ahead of the show coming to The Alexandra Theatre in Birmingham.
How is everything going so far?
It’s been going great – we’ve been selling out! We starting in Bath on April 20th, we have been up to North Wales, back down to South End, and then to Leicester.
What can the Birmingham audience expect from the The Play That Goes Wrong?
It’s a play about the Cornley Drama Society who are a bunch of amateur actors and they are putting on a 1920s murder mystery. As the title of the show suggests, everything that can go wrong, does go wrong.
The Cornley Drama Society are putting on a 1920s murder mystery, but as the title suggests, everything that can go wrong… does! As the accident prone amateur thesps battle on against all the odds to reach their final curtain call, hilarious results ensue!
⭐️ ⭐️ ⭐️ ⭐️ ⭐️ – laugh-out-loud funny and a joy to watch!
Note: This review is for the UK Tour 2022 of Cluedo.
Was it Miss Scarlet, with the revolver in the dining room, or was it Professor Plum, with the lead pipe in the library?…
Based on the classic detective board game and the hit 1985 film CLUE, the brand new stage play of CLUEDO is on stage at the Alexandra Theatre this week. Directed by Mark Bell, director of the award winning The Play That Goes Wrong and A Comedy About A Bank Robbery, we follow the story of Miss Scarlett (Michelle Collins), Professor Plum (Daniel Casey), Colonel Mustard (Wesley Griffith), Mrs White (Etisyai Philip), Mrs Peacock (Judith Amsenga) and Reverend Green (Tom Babbage) who are mysteriously invited to a country manor by Lord Boddy. Greeted by the butler, Wadsworth (Jean-Luke Worrell), a Boltonian maid with a fake French accent (Laura Kirman) and the cook (Meg Travers), secrets are slowly revealed as people start to be killed off one by one.
⭐️ ⭐️ ⭐️ ⭐️ A clever twist on the classic whodunnit
Note: This review is for the Catch Me If You Can UK Tour 2022. It’s useful to note that this play is not associated with the 2002 Steven Spielberg film of the same name.
Originally based on a French play by Robert Thomas, this American version was written by Jack Weinstock and Willie Gilbert that debuted on Broadway in 1965. The UK tour is produced by the renowned Bill Kenwright.
Inspector Levine (Gray O’Brien) is called to a house in the remote Catskill mountains to investigate the disappearance of newly married Elizabeth Corban. In a bizarre development a woman (Linda Purl) arrives at the house claiming to be the missing Elizabeth but, instead of celebrating the reunion, her husband Daniel (Dallas legend Patrick Duffy) claims that she is an imposter.
Based on the 1984 hit film starring Kevin Bacon (which was itself loosely based on true events in the town of Elmore City, Oklahoma), we follow the story of Ren McCormick (Joshua Hawkins) and his mother, who move from Chicago to Bomont, a rural backwater town following the abandonment of his father. There, he discovers that rock ’n’ roll music and dancing is banned following the deaths of four young people in a car accident, with a traditional, conservative and strictly religious community spearheaded by the Reverend Shaw Moore (Darren Day). Taking matters into his own hands, Ren befriends the loveable (although rather dim-witted) Willard Hewitt (Jake Quickenden), falls in love with Rev. Moore’s rebellious daughter, Ariel (Lucy Munden), and campaigns for a dance to be allowed for the seniors of the school.
⭐️ ⭐️ ⭐️ ⭐️ A feel-good show full of fun and nostalgia
Note: This review is for the UK 2022 tour.
Featuring rock ’n’ roll songs from the million-selling Dreamboats and Petticoats albums, we see the return of Bobby, Laura, Sue and the gang in the third instalment of the smash-hit musical on stage at the Alexandra Theatre this week.
With a healthy dose of nostalgia from the start, we follow the story of Norman and the Conquests as they take on a summer gig at Butlins, Bognor Regis, and the interweaving sub-plots of the band members and their friends. Bobby (David Ribi) and Laura (Elizabeth Carter) are struggling with a long-distance relationship while Laura reluctantly embarks on a summer season in Torquay, Sue (Lauren Anderson-Oakley) feels unwanted and overlooked by flirtatious husband Norman (Alastair Hill) after giving birth to their baby. Band manager Ray (David Luke) is unsure of his career as a hairdresser and convinces girlfriend, Donna (Samara Clarke) to join them at Butlins. Including songs such as C’Mon Everybody, Blue Moon, Mony Mony and Keep on Running, we are taken on a trip down memory lane as the characters navigate their way through the trials and tribulations of young love while wanting more from their music careers. There is plenty of chemistry and all are talented vocalists, each getting the opportunity to shine in both the individual and group numbers.
The acclaimed novel by C.S. Lewis has been brought to life on stage with the production of The Lion, The Witch and The Wardrobe.
Directed by Michael Fentiman and based on the original production by Sally Cookson with original Set and Costume design by Rae Smith, The Lion, The Witch and The Wardrobe tells the story of Lucy, Edmund, Susan and Peter, wartime evacuees who discover the world of Narnia inside a wardrobe.
Direct from London, the acclaimed production of The Lion, the Witch and the Wardrobe is coming to the Alexandra Theatre stage in Birmingham this week and I had to opportunity to have a quick chat with cast member Samuel Buttery, who is playing the role of Mr Beaver. When we spoke they were on a train on the way to Birmingham.
It sounds like you’ve had a really busy time!
It’s be so busy! I think this month we’ve been to Edinburgh, Plymouth, Canterbury, Glasgow and now Birmingham. It’s a lot!
What can the Birmingham audience expect from The Lion, The Witch and The Wardrobe?
I think they can expect something heartfelt. It feels like a communal endeavour without being poncy and too insincere. I’m lucky in that everyone in the cast and company is really nice and we have formed really close bonds, and the play ends up being about community and togetherness and what happens when goodness can win.
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