Directed by Daniel Evans, with Music and Lyrics by Rodgers & Hammerstein and Book by Oscar Hammerstein II and Joshua Logan, South Pacific is based on James A. Michener’s Pulitzer Prize-Winning 1947 book Tales of the South Pacific and was an immediate hit following its Broadway premiere in 1949. With a now iconic score including I’m Gonna Wash That Man Right Outa My Hair, Bali Ha’i, There Is Nothing Like a Dame, Some Enchanted Evening and Happy Talk, receiving multiple awards, spawning many successful revivals, tours and a 1958 movie.
Based on the 1980 iconic film which spawned a popular television series, Fame follows the final class of New York City’s celebrated High School for the Performing Arts through their struggles, fears and triumph as they navigate the worlds of music, drama and dance
Showcasing the very best in local young talent, the Alexandra’s annual Stage Experience is open to anyone aged 9-24 years old who have a passion for performance, wardrobe, stage management or behind-the-scenes technical skills. Over the last few weeks, 60 young performers and 10 technicians from all over the West Midlands have intensively rehearsed to bring their latest production to life.
Directed by Stephen Duckham, with music and lyrics by Frank Loesser, and book by Jo Swerling and Abe Burrows, Guys and Dolls is the latest production from the BMOS Musical Theatre Company, an amateur performing arts group with members of all ages from across the West Midlands.
Revered as one of the classics, Guys and Dolls tells the story of Nathan Detroit (Pat Pryce) who needs $1,000 to host a crap game. In an effort to raise the money, he bets gambler Sky Masterson (James Gordanifar) that he can’t take the virtuous Sister Sarah Brown on a date to Havana, Cuba. Meanwhile, Nathan is also being chased by his fiancé of 14 years, Miss Adelaide (Jo Smith), who is desperate to get married and settle down…
Based on the 1984 hit film starring Kevin Bacon (which was itself loosely based on true events in the town of Elmore City, Oklahoma), we follow the story of Ren McCormick (Joshua Hawkins) and his mother, who move from Chicago to Bomont, a rural backwater town following the abandonment of his father. There, he discovers that rock ’n’ roll music and dancing is banned following the deaths of four young people in a car accident, with a traditional, conservative and strictly religious community spearheaded by the Reverend Shaw Moore (Darren Day). Taking matters into his own hands, Ren befriends the loveable (although rather dim-witted) Willard Hewitt (Jake Quickenden), falls in love with Rev. Moore’s rebellious daughter, Ariel (Lucy Munden), and campaigns for a dance to be allowed for the seniors of the school.
⭐️ ⭐️ ⭐️ ⭐️ A feel-good show full of fun and nostalgia
Note: This review is for the UK 2022 tour.
Featuring rock ’n’ roll songs from the million-selling Dreamboats and Petticoats albums, we see the return of Bobby, Laura, Sue and the gang in the third instalment of the smash-hit musical on stage at the Alexandra Theatre this week.
With a healthy dose of nostalgia from the start, we follow the story of Norman and the Conquests as they take on a summer gig at Butlins, Bognor Regis, and the interweaving sub-plots of the band members and their friends. Bobby (David Ribi) and Laura (Elizabeth Carter) are struggling with a long-distance relationship while Laura reluctantly embarks on a summer season in Torquay, Sue (Lauren Anderson-Oakley) feels unwanted and overlooked by flirtatious husband Norman (Alastair Hill) after giving birth to their baby. Band manager Ray (David Luke) is unsure of his career as a hairdresser and convinces girlfriend, Donna (Samara Clarke) to join them at Butlins. Including songs such as C’Mon Everybody, Blue Moon, Mony Mony and Keep on Running, we are taken on a trip down memory lane as the characters navigate their way through the trials and tribulations of young love while wanting more from their music careers. There is plenty of chemistry and all are talented vocalists, each getting the opportunity to shine in both the individual and group numbers.
Based on the 2003 movie starring Jack Black and with music by Andrew Lloyd Webber, lyrics by Glenn Slater and a book by Julian Fellowes, School of Rock tells the story of Dewey Finn (Jake Sharp), a wannabe rock star who impersonates a substitute teacher in a prestigious prep school. Upon discovering the musical talent of his young students he forms a band in an attempt to win the Battle of the Bands contest.
Based on the cult film starring Jack Black, School of Rock follows slacker Dewey Finn as he turns a class of straight – A students into an ear-popping, riff-scorching, all-conquering rock band! As they prepare for the Battle of the Bands, can Dewey make them embrace the empowering message of rock?
I was delighted to get the chance to speak to Midlands-born actor Jake Sharp about his role of Dewey Finn ahead of next week’s show.
The last time I saw Chicago on stage was on the West End about fifteen years ago. I have vague memories of enjoying it but nothing of note stands out, so I was looking forward to seeing it again.
With multiple Broadway and West End revivals, tours and a 2002 Hollywood film starring Renee Zellweger and Catherine Zeta-Jones, multi-award winning Chicago is one of the most revered and well-known musicals in history. Set in 1926, Chicago tells the story of Roxy Hart (Faye Brooks), who faces trial for murder after killing her lover. To avoid an almost-certain conviction and death sentence she hires charismatic lawyer Billy Flynn (Darren Day), who concocts a sensationalist storyline to dupe the public, the tabloids, her rival cellmate Velma Kelly (Djalenga Scott) and downtrodden husband Amos (Joel Montague).
Everyone’s favourite kooky family are coming back to the stage in The Addams Family, a spectacular musical comedy from the writers of multi award-winning hit musical Jersey Boys, with music and lyrics by TONY AWARD nominated Andrew Lippa.
I had the honour of being able to chat withKara Lane, who plays Alice Beineke in the show.With a lovely Australian accent and a great sense of humour, I wanted to find out more about The Addams Family musical coming to The Alexandra Theatre this week and her experiences as a performer.
I’m so excited about the show! I’ve have seen the TV show and the movies but the musical is new to me. Tell me more about The Addams Family and what can the Birmingham audience expect from the show?
It’s fun, it’s silly, it’s witty, it’s such a great form of escapism which is what I think we all need right now!It’s the same kooky family that you know from the TV show, the movies and the cartoons, but with a brand new adventure. It’s actually set a little bit later in time – Wednesday Addams has grown up and she has found a boyfriend. You’ve got Joanna Clifton playing Morticia, Cameron Blakely (who has done countless West End roles) playing Gomez, you’ve got Scott Paige (Uncle Fester) and Kingsely Morton who is playing Wednesday. She is fresh out of college, although when I say fresh out of college I mean before the pandemic, so life has been on hold since then. I love that all of them in the family have really captured the essence of the characters that we all know and love without impersonating them, they’ve been able to bring something fresh to the roles. I grew up watching the 60’s TV programme so it’s quite close to my heart, and when things are that close to your heart you tend to be a bit biased to the original, but I think everyone has really nailed their characters. It’s such a fun night out!
You play the role of Alice Beineke in the show. What preparation have you done to get into character and to develop your role?
Alice is the mother of Wednesday’s boyfriend, Lucas (who is played by the lovely Ahmed Hamad), but she’s not a character that the audience may have any preconception about, unlike the rest of the family, so it has been a lot of fun to create a character almost from scratch really. Without giving too much away, she definitely goes on a journey throughout the show, trying to be the perfect wife to her husband Mal, played by Sean Kingsley.
Suzie Speaks 
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