Last night The Bloke and I were invited to go and see the The Rocky Horror Show at the Alexandra Theatre. It’s one of my favourite musicals (this being the third time that I have seen it), but my fifteen year old former self was particularly enthusiastic about the casting of Blue’s Duncan James in the roll of Frank’n’Furter and A1’s Ben Adams as Brad. Additionally, we were treated to pro dancer and performer (including as a pro dancer and winner on Strictly Come Dancing) Joanne Clifton, the ever fabulous Brummie Alison Hammond as the Narrator for the Birmingham shows only, and the incredible Kristian Lavercombe who was also reprising his role as Riff Raff, following more than 1300 performances in The Rocky Horror Show around the world. Indeed, he played the role in the last Rocky Horror performance that I watched and did a brilliant job.The Rocky Horror Show first began life in 1973 before an audience of just 63 people in the Royal Court’s Theatre Upstairs, and tells the story of Brad and his fiancée Janet, two squeaky clean college kids who meet Dr Frank’n’Furter by chance when their car breaks down outside his castle whilst on their way to visit their favourite college professor. The fact that it is outrageous and has a questionable plot doesn’t matter – the iconic songs and fishnets galore provide a brilliant theatre experience, and I couldn’t wait…Continue reading →
Last night I was invited to see Hair at the Alexandra Theatre in Birmingham. After winning the 2018 WhatsOnStage award and direct from a sell-out London run, the 50th Anniversary tour stars Dancing On Ice 2018 Winner Jake Quickenden as ‘Berger,’ Daisy Wood-Davis (Hollyoaks / Dreamboats and Petticoats) as ‘Shelia’ and Marcus Collins (X-Factor Finalist / Kinky Boots) as ‘Hud.’
Set in 1967, Hair tells the story of a group of politically active and sexually liberatedhippies – the ‘tribe’ – living a bohemian life in New York City. Claude, Berger, their roommate Sheila and their friends struggle to balance their lives against society and their conservative parents in ‘the Age of Aquarius,’ united in song as they rebel against the American flag and conscription of one of their own – Claude – into the Vietnam War. Continue reading →
Those who follow the blog regularly will know that I love a good musical. I’ve been lucky enough to see a number of musicals performed in theatres both locally in Birmingham, in Manchester, on the West End in London and even on Broadway over the last decade. However, there’s one musical in particular that is my favourite above all the others, that I know inside out and will watch over and over while feeling like I’ve been reunited with a group of friends every time I do…
As with most things, I was very late to the RENT party, only discovering its brilliance in 2016 – 20 years after its first Off Broadway performance, 11 years after the release of the movie and 8 years after its final Broadway performance. Continue reading →
The Bloke and I are in London to celebrate The Bloke’s 50th birthday. We’re staying in an awesome apartment and have had a whole bunch of things on the itinerary for the last few days.
Last night we went to see Wicked for the first time. It has been something that we have both wanted to watch, and I have always been jealous of the fact that I never got to see the Kristin Chenoweth and Idina Menzel partnership. Whenever we have come to London and wanted to see a show it has always seemed to either be sold out or too expensive and we have ended up going to watch something else instead. However, this time at least, as if the stars had aligned, we were able to get reasonably priced tickets in great seats, and I had been looking forward to it. Continue reading →
I’ve been a huge fan of the music from RENT since my teens, yet have never seen the musical live, so I was ecstatic to receive an invitation for the opening night of RENT at The Old Rep Theatre in Birmingham.
Directed and choreographed by Michael Neri, with a stellar cast of up-and-coming local talented performers, RENT tells the story of a group of young adults who are struggling to survive in New York’s East Village, dealing with issues of AIDS, drug addiction, homosexuality and homophobia.
The set is cleverly simple, with effective ideas used for projections and lighting to suit the small stage in the theatre, and we were given a lovely welcome by the staff when we arrived.
The cast were incredible, with each giving wonderful individual performances in their own right. In particular, Jessica Singer (Mimi) and Joe Ashman (Mark) commanded the stage throughout and Rhys Owen’s performance of I’ll Cover You (Reprise) in the second half was so inspiring that the audience were compelled to give a standing ovation before the song had even finished. Seasons of Love, the opening of Act 2 (and the song I’d been most looking forward to) also didn’t disappoint, with the harmonies on point and a brilliant top note from Alys Wood. Continue reading →