A Wicked Evening on the West End

The Bloke and I are in London to celebrate The Bloke’s 50th birthday. We’re staying in an awesome apartment and have had a whole bunch of things on the itinerary for the last few days. 

Last night we went to see Wicked for the first time. It has been something that we have both wanted to watch, and I have always been jealous of the fact that I never got to see the Kristin Chenoweth and Idina Menzel partnership. Whenever we have come to London and wanted to see a show it has always seemed to either be sold out or too expensive and we have ended up going to watch something else instead. However, this time at least, as if the stars had aligned, we were able to get reasonably priced tickets in great seats, and I had been looking forward to it. Continue reading

Advertisements

RENT at The Old Rep

imageI’ve been a huge fan of the music from RENT since my teens, yet have never seen the musical live, so I was ecstatic to receive an invitation for the opening night of RENT at The Old Rep Theatre in Birmingham.

Directed and choreographed by Michael Neri, with a stellar cast of up-and-coming local talented performers, RENT tells the story of a group of young adults who are struggling to survive in New York’s East Village, dealing with issues of AIDS, drug addiction, homosexuality and homophobia.

The set is cleverly simple, with effective ideas used for projections and lighting to suit the small stage in the theatre, and we were given a lovely welcome by the staff when we arrived.

The cast were incredible, with each giving wonderful individual performances in their own right. In particular, Jessica Singer (Mimi) and Joe Ashman (Mark) commanded the stage throughout and Rhys Owen’s performance of I’ll Cover You (Reprise) in the second half was so inspiring that the audience were compelled to give a standing ovation before the song had even finished. Seasons of Love, the opening of Act 2 (and the song I’d been most looking forward to) also didn’t disappoint, with the harmonies on point and a brilliant top note from Alys Wood. Continue reading