From up-and-coming Midlands writer and director Thomas Moran and his company presentabsence Theatre comes “a new LGBTQ+ and deaf play.” NOISE follows the lives of five first-year university students in their shared flat, in particular Evan (Nicolas Ancelin) who is deaf. The play sees the development of Evan’s relationship with flatmate Harry (Dominic Holmes) and how they both deal with his impairment.
Despite their young ages and small number, the cast light up the stage of The Old REP, bringing energy and authenticity to their characters. The group work well as an ensemble, being totally believable as housemates and friends, but this is perhaps better shown through the several examples of physical theatre and montages in which all of the cast have co-ordinated their movements to fit with one another, avoiding any slip-ups (not an easy task on The Old REP’s small stage) whilst still managing to create dynamic sequences. Continue reading →
I’ve been a huge fan of the music from RENT since my teens, yet have never seen the musical live, so I was ecstatic to receive an invitation for the opening night of RENT at The Old Rep Theatre in Birmingham.
Directed and choreographed by Michael Neri, with a stellar cast of up-and-coming local talented performers, RENT tells the story of a group of young adults who are struggling to survive in New York’s East Village, dealing with issues of AIDS, drug addiction, homosexuality and homophobia.
The set is cleverly simple, with effective ideas used for projections and lighting to suit the small stage in the theatre, and we were given a lovely welcome by the staff when we arrived.
The cast were incredible, with each giving wonderful individual performances in their own right. In particular, Jessica Singer (Mimi) and Joe Ashman (Mark) commanded the stage throughout and Rhys Owen’s performance of I’ll Cover You (Reprise) in the second half was so inspiring that the audience were compelled to give a standing ovation before the song had even finished. Seasons of Love, the opening of Act 2 (and the song I’d been most looking forward to) also didn’t disappoint, with the harmonies on point and a brilliant top note from Alys Wood. Continue reading →