From the acclaimed writer Torben Betts and directed by Philip Franks, this psychological thriller brings a seemingly endless twists and turns throughout, with plenty of jump-out-of-your-seat moments, interspersed with an unexpected sprinkling of wit.
Similarly to The Mousetrap, it is requested that the audience ‘spread the word but not the spoilers’ once the twists have been revealed, so there is less to say than I would perhaps like, particularly because I thoroughly enjoyed it!
Following on from five hit stage shows and the new acclaimed ITV series ‘Grace’ the work of best-selling author Peter James returns to The Alexandra, Birmingham with the world premiere stage adaption of Wish You Were Dead.
Inspired by a strange holiday in France by author Peter James and his family, Wish You Were Dead tells the story of Detective Superintendent Roy Grace (George Rainsford) and his wife Cleo (Katie McGlynn), who arrive at a French Maison D’Hôtes in the rain for a much-needed holiday with their new baby. Accompanied by their nanny, Kaitlynn (Gemma Stroyan), things haven’t gone according to plan – Kaitlynn’s boyfriend (and Roy’s colleague) Jack (Alex Stedman) has yet to arrive, the hotel is run-down and nothing like what was advertised and the greeting received from Madame L’Eveque (Rebecca McKinnis) is far from welcoming.
Every couple needs a little fantasy to keep their marriage sparkling. But behind the gingham curtains, things start to unravel, and being a domestic goddess is not as easy as it seems…
Directed by Tamara Harvey written by Laura Wade, the 2019 Olivier award-winning Home, I’m Darling tells the story of Judy (Jessica Ransom) and husband Johnny (Neil McDermott), who are living a 1950s fantasy life – Judy has left her job to fully embrace the role as a housewife after an upbringing with a feminist and activist mother (Diane Keen). Their love of the era is shared by friends Fran (Cassie Bradley) and Marcus (Steve Blacker-Barrowman), but for them, it is merely a hobby.
It is 1960s England and a wind of change is blowing through the land. It has even reached the sleepy village of St. Mary Mead. There’s a new housing estate to make the villagers curious and fearful. And even stranger, a rich American film star has bought the Manor House.
The Mirror Crack’d is adapted from Agatha Christie’s novel Side to Side, published in the UK in 1962. It was also made into a Miss Marple movie from 1980 of the same name, with a star studded cast, including Angela Lansbury and Elizabeth Taylor.
This new stage adaptation from Rachel Wagstaff sees Susie Blake as Miss Marple (Victoria Wood’s As Seen on TV, Coronation Street, Mrs. Brown’s Boys), Sophie Ward (A Very British Scandal, Holby City, Land Girls) and Joe McFadden(Holby City, Heartbeat and Strictly Come Dancing 2017 winner) as the main characters.
⭐️ ⭐️ ⭐️ ⭐️ A clever twist on the classic whodunnit
Note: This review is for the Catch Me If You Can UK Tour 2022. It’s useful to note that this play is not associated with the 2002 Steven Spielberg film of the same name.
Originally based on a French play by Robert Thomas, this American version was written by Jack Weinstock and Willie Gilbert that debuted on Broadway in 1965. The UK tour is produced by the renowned Bill Kenwright.
Inspector Levine (Gray O’Brien) is called to a house in the remote Catskill mountains to investigate the disappearance of newly married Elizabeth Corban. In a bizarre development a woman (Linda Purl) arrives at the house claiming to be the missing Elizabeth but, instead of celebrating the reunion, her husband Daniel (Dallas legend Patrick Duffy) claims that she is an imposter.
Direct from London, the acclaimed production of The Lion, the Witch and the Wardrobe is coming to the Alexandra Theatre stage in Birmingham this week and I had to opportunity to have a quick chat with cast member Samuel Buttery, who is playing the role of Mr Beaver. When we spoke they were on a train on the way to Birmingham.
It sounds like you’ve had a really busy time!
It’s be so busy! I think this month we’ve been to Edinburgh, Plymouth, Canterbury, Glasgow and now Birmingham. It’s a lot!
What can the Birmingham audience expect from The Lion, The Witch and The Wardrobe?
I think they can expect something heartfelt. It feels like a communal endeavour without being poncy and too insincere. I’m lucky in that everyone in the cast and company is really nice and we have formed really close bonds, and the play ends up being about community and togetherness and what happens when goodness can win.
Based on the classic Paramount Pictures Corporation motion picture, James Dearden’s intoxicating new stage play of Fatal Attraction, brings the definitive movie thriller to Birmingham’s Alexandra Theatre. I had the opportunity to have a chat with Oliver Farnworth – who plays the lead male role of Dan Gallagher – ahead of the show arriving in Birmingham this week.
Fatal Attraction is coming to the Alexandra Theatre. What can the Birmingham audience expect from Fatal Attraction?
I think the title ‘Fatal Attraction’ will be fairly familiar to a lot of the audience. The notion of the ‘bunny boiler’ was born from the iconic ‘80s film with Michael Douglas and Glenn Close playing the two protagonists. There will be a familiarity with the original story which is obviously very tense and twisted, a gripping psychological thriller. With any adaptation you wouldn’t necessarily want to go and see a film word for word put on stage, so there is very much a theatrical adaptation. James Dearden the writer has been on board and he’s updated the script – there’s a bit more of a twist in the ending. I’d say he’s brought it into more modern day as far as there are more questions around culpability and motives, blame and consequence, It’s very much a classic thriller but brought into an updated, modernised stage version using lots of theatrical licence, twists and tricks. But fans of the original won’t be disappointed – we’ve kept a lot of the original content. There’s a lot to enjoy.
Note: This review of The Cat and the Canary is for the 2021 UK tour.
“Twenty years after the death of Mr. West, his descendants gather to learn who will inherit his vast wealth and the hidden family jewels. Within moments, the heritage hunters turn into prey. Walls crack open, shadows loom, and dark secrets are revealed.”
On a suitably dark and rainy Monday evening, we sat down at the Alexandra Theatre to watch the latest show from The Classic Thriller Theatre Company with their production of 1920s murder mystery The Cat and the Canary.
The original play, written by John Willard, opened on Broadway almost a century ago and has since spawned three movie adaptations. The plot utilises that classic whodunnit setup and setting; assembling an ensemble cast in an ancestral mansion on a dark, stormy night, just in time for things to start going awry when a homicidal maniac escapes from a nearby asylum. Adapted for a modern audience by Carl Grose, and directed by Roy Marsden, the play offers up all the twists and turns you would expect from the genre, along with some tongue-in-cheek humour and, of course, plenty of scares!
“Look what happens when the trendy lefties move in!”
Adapted and translated by Jeremy Sams from Matthieu Delaporte and Alexandre de La Patellière’s hugely successful ‘Le Prénom,’ ‘What’s In a Name?’ made its UK debut in Birmingham in 2017 and has now embarked on a UK tour. Continue reading →
Last night The Bloke and I were invited to watch the hilarious Peter Pan Goes Wrong at the Alexandra Theatre.
Co-written by the wonderfully funny Mischief Theatre company members Henry Lewis, Jonathan Sayer and Henry Shields, Peter Pan Goes Wrong is described as ‘a highly physical comedy packed with finely-tuned farce and Buster Keaton inspired slapstick, delivered with split-second timing and ambitious daring.’ It has definitely been on my ‘to watch’ list. Continue reading →
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