Press Review: I Should Be So Lucky at The Alexandra Theatre

The wedding is off, but the honeymoon is on as the Stock, Aitkin and Waterman musical I Should Be So Lucky comes to the Alexandra Theatre in Birmingham.

After Ella (Lucie-Mae Sumner) is left at the alter by fiancé Nathan (Billy Roberts), she decides to still go on her honeymoon to Turkey, accompanied by her family and friends. With guidance from video projections of THE Kylie Minogue in a large mirror, her broken heart starts to heal when she meets the handsome waiter Nadeem (Matthew Croke). Nathan realises his mistake and follows Ella to Turkey to win her back, but will she give him a second chance?

Stock, Aitken and Waterman are considered to be one of the most successful songwriting and producing partnerships of all time, with more than 100 UK top-40 hits, over 150 millions records sold, and have worked with some of the biggest selling artists in history. 

When the announcement was made that a Stock, Aitkin and Waterman musical was in production, I was beside myself with excitement. Their music was the soundtrack to my youth and represents my earliest and favourite musical memories – Kylie Minogue and Jason Donovan’s debut albums were the first I ever received on vinyl, I waited in line for over two hours at a music store in Blackpool to get an autographed single from Sonia, I had a poster of Big Fun on my wall… Even now, at 42 years old, I still remember every word from every song of that era.

Let’s just say I’m a fan. A huge fan. 

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Press Review: Peter Pan Goes Wrong at The Alexandra Theatre

Directed by Adam Meggio and written by Henry Lewis, Jonathan Sayer and Henry Shields, the members of the Cornley Polytechnic Drama Society are back on stage, battling technical hitches, flying mishaps and cast disputes as they attempt to present J.M Barrie’s much-loved tale of Peter Pan. But will they ever make it to Neverland? 

Peter Pan Goes Wrong, part of the ever growing Mischief Theatre (which includes the hugely successful The Play That Goes Wrong), has remained one of my favourite productions since I was lucky enough to watch it in February 2020. Would it be just as funny the second time round?

Yes. Yes it was. 

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Press Review: Twelve Angry Men at The Alexandra Theatre

⭐️ ⭐️ ⭐️ ⭐️ ⭐️ “Absolutely a must-see show!”

Following a record-breaking West End season, this powerful production of Twelve Angry Men is back in session…

Twelve Angry Men is perhaps best known as one of the most highly-regarded films of its era, rubbing shoulders with the likes of Citizen Kane and The Godfather when it comes to cinematic legacy. Yet the piece actually began life as a television play in 1954, being adapted for the stage the following year. Following its incredibly successful run on the West End, this new production has brought the story back to the Alexandra Theatre stage, ready to remind audiences why this drama has retained its legacy status.

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Press Review: Stage Experience – Bring It On

Showcasing the very best in local young talent, the Alexandra’s annual Stage Experience is open to anyone aged 9-24 years old who have a passion for performance, wardrobe, stage management or behind-the-scenes technical skills. Over the last few weeks, young performers and technicians from all over the West Midlands have intensively rehearsed to bring their latest production to life. 

With music by Tom Kitt and Lin-Manuel Miranda, lyrics by Amanda Green and book by Jeff Whitty, Bring It On The Musical is very loosely based on the 2000 cheerleading film starring Kirsten Dunst.

Campbell Davis (Laura Bryan) achieves her goal of being named captain of the Truman High Cheerleading Squad, only to have her hopes dashed when she discovers that she has been redistricted to inner-city Jackson High School. 

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Press Review: Some Mothers Do ‘Ave ‘Em at The Alexandra Theatre

⭐️ ⭐️ ⭐️ ⭐️ ⭐️ An evening of hilarious and unadulterated chaos. A joy to watch!

Note: This review is for the UK 2022 tour.

Based on the beloved 1970’s sitcom by Ray Allen starring Michael Crawford and directed by the award-winning Guy Unsworth, Some Mothers Do ‘Ave ‘Em tells the story of the accident-prone Frank Spencer (Joe Pasquale). His wife Betty (Sarah Earnshaw) has exciting news, but he’s preoccupied by possible newfound fame as a magician. Joined by Betty’s mother Mrs Fisher (Susie Blake), her boyfriend Mr Luscombe (Moray Treadwell), and priest Father O’Hara (James Paterson), there are plenty crossed wires, misunderstandings and mishaps as Frank and Betty attempt to host a dinner party and do an interview with the BBC. 

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Press Review: Catch Me If You Can at the Alexandra Theatre

⭐️ ⭐️ ⭐️ ⭐️ A clever twist on the classic whodunnit

Note: This review is for the Catch Me If You Can UK Tour 2022. It’s useful to note that this play is not associated with the 2002 Steven Spielberg film of the same name. 

Originally based on a French play by Robert Thomas, this American version was written by Jack Weinstock and Willie Gilbert that debuted on Broadway in 1965. The UK tour is produced by the renowned Bill Kenwright.

Inspector Levine (Gray O’Brien) is called to a house in the remote Catskill mountains to investigate the disappearance of newly married Elizabeth Corban. In a bizarre development a woman (Linda Purl) arrives at the house claiming to be the missing Elizabeth but, instead of celebrating the reunion, her husband Daniel (Dallas legend Patrick Duffy) claims that she is an imposter. 

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Press Review: The Addams Family at The Alexandra Theatre

Note: This review is for the 2022 UK Tour of The Addams Family.

They’re creepy and they’re kooky… and absolutely hilarious. 

The weird and wacky Addams Family were on stage last night at The Alexandra Theatre, and if ever a show surprised me, it was this. 

The cast of The Addams Family. Photo: Pamela Raith

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Press Review: Bat Out of Hell at the Alexandra Theatre

Note: This review is for the UK 2022 tour. 

Bat Out of Hell is a rock musical with with music, lyrics and book by Jim Steinman. Steinman was a prolific songwriter, with hits including Bonnie Tyler’s Total Eclipse of the Heart, Celine Dion’s It’s All Coming Back To Me Now and Air Supply’s Making Love Out of Nothing at All, but is probably best known as the composer of the songs for Meat Loaf’s Bat Out of Hell album trilogy. These are predominantly the musical numbers that feature throughout the show. 

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Press Review: Alice in Wonderland at The Old Rep

Alice in Wonderland is a retelling of the Lewis Carrol classic, with a young cast of performers from BOA (Birmingham Ormiston Academy). 

Creatively reimagined, Alice in Wonderland focuses not on Alice herself, but the experiences of her three daughters as they navigate the eclectic and bizarre world of their imaginations. Alongside the well-known characters of the story – the White Rabbit, Mad Hatter, Cheshire Cat, Tweedle Dee and Tweedle Dum and the Queen of Hearts – we are introduced to plenty of weird and wonderful personalities, from talking doors and playing cards, to a crab, Pat the Guinea Pig, Bill the Lizard and a rather hilarious cook. 

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Press Review: The Cat and the Canary at the Alexandra Theatre

Note: This review of The Cat and the Canary is for the 2021 UK tour.

“Twenty years after the death of Mr. West, his descendants gather to learn who will inherit his vast wealth and the hidden family jewels. Within moments, the heritage hunters turn into prey. Walls crack open, shadows loom, and dark secrets are revealed.”

On a suitably dark and rainy Monday evening, we sat down at the Alexandra Theatre to watch the latest show from The Classic Thriller Theatre Company with their production of 1920s murder mystery The Cat and the Canary.

The original play, written by John Willard, opened on Broadway almost a century ago and has since spawned three movie adaptations. The plot utilises that classic whodunnit setup and setting; assembling an ensemble cast in an ancestral mansion on a dark, stormy night, just in time for things to start going awry when a homicidal maniac escapes from a nearby asylum. Adapted for a modern audience by Carl Grose, and directed by Roy Marsden, the play offers up all the twists and turns you would expect from the genre, along with some tongue-in-cheek humour and, of course, plenty of scares!

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